Showing posts with label culture. Show all posts
Showing posts with label culture. Show all posts

09 April, 2009

Outside looking in

I always find it interesting what non-Americans think of America and Americans. Two amusing examples; one Israeli, one British.

The Kamari Five - "America"

translation thanks to fellow blogger and Fulbrighter Duckrabbit


French and Saunders - "American Retirement"

04 April, 2009

Israel Eurovision 2009 entry: "Your Eyes"



The song, "Your Eyes", was chosen by the Israeli public after a televised contest. The duo, Achinoam Nini, a Jewish singer, and Mira Awad, a Christian Arab Israeli, will be representing Israel at Eurovision in Moscow in May. It's sung partly in Hebrew, partly in Arabic and partly in English. And, like anything involving Jews and Arabs in Israel, it is not without controversy.

The other songs which were up for contention:
Faith In The Light
Will You Dance With Me?
Second Chance

The Eurovision Song Contest will be held on 16 May this year. No one expect me to do anything that night. I'll finally be in a participating country for Eurovision. I am way too geeked-out and excited by this.

Remember how I was talking before about the contradiction of how Ivri Lider is really popular, despite being a gay man in a highly religious country? Here's another one: in 1998 Dana International, an Israeli transsexual, won Eurovision for Israel with her song "Diva". That was the third time Israel won Eurovision, the other two times being in 1978 and 1979.

25 March, 2009

The high ranking homo in the Holy Land

One of the interesting things about Israel is the amazing diversity of people which exists here. Even though the country is 80% Jewish, there is no prototypical "Israeli". There are immigrants from all over the world, including from Beta Israel in Africa, all of who have come here for vastly different reasons: financial stability, fleeing racial persecution, freedom of religious worship, whim, or Zionism to name a few.

Outside of the Jewish/Arab conflict, this creates huge amounts of conflict just within the Jewish community. There are all kinds of power struggles just to get through daily life, as ideology of Zionist immigrants clashes with the "I just want to live my life"-attitude of Israeli-born seculars and the Orthodoxy is passing laws based on Halacha that affect everyone, Jews, Muslims and Christians alike. Then add in Ashkenazi vs Mizrachi/Sephardi, sabras vs olim, or settlers vs. everyone else, just to name a few, and suddenly the whole Arab/Jewish conflict seems like a small squabble (albeit with bombs).

One of the biggest examples of this odd mixture of contradiction is Ivri Lider, one of Israel's most popular musicians. Openly gay, Lider has been a hit on the charts for the past 10 years, even being voted as the number one male performer of 2000. In a Middle Eastern country dominated by religious law and conflict between two fundamentalist religions, somehow one of their biggest stars is an openly gay man who not only writes and performs his own music but also has written soundtracks for some hugely popular Israeli films which themselves feature significant gay themes, itself an interesting cultural clash. Keep in mind that homosexuality in any of the countries bordering Israel will get you jailed at best and killed at worst; yet another opposite.

But, like any good contradiction, Lider is not without his own. He's no kind of spokesman for gay pride. He opposes the annual March for Pride and Tolerance in Jerusalem and doesn't advocate for gay rights or societal acceptance, despite being very open about his own life and sexuality. He's hugely popular with the army which, though gays can serve openly, is still a bastion of Eastern machismo culture.

Now maybe this isn't so unexpected. Religious people don't listen to popular music and the Muslim population doesn't listen to Hebrew radio, leaving the live-and-let-live secular population in control of popular culture. Still, even if that's true, it means the face of pop culture in Israel is different than many of the people who live there.

What an interesting contradiction...


Below, the two singles off Lider's new album "The Steady Rhythm of Body Movements":

עלוף העולם The Champion of the World


רק תבקש Just Ask


And just for fun, his cover of Katie Perry's "I Kissed a Girl" (which they played on the radio incessantly for weeks):

19 March, 2009

Review: Waltz With Bashir


The subject of Israel and Lebanon seems to be the new sweetheart of Israeli cinema. Last year the Oscars saw Beaufort, a film about soldiers during the Israeli withdraw from Lebanon in 2000, contending for Best Foreign Language Film. The newer contender for Best Foreign Film is Waltz With Bashir, the story of one man who can't remember his time serving in the IDF during the First Lebanon War. What occurs during the film, which is entirely animated, is the journey from bad dreams which he can't understand to, piece by piece, a recollection of what happened to him during his military service in southern Lebanon. This is not only a film as much as a case study.

From Wikipedia:
In 1982, Ari Folman was a 19-year-old infantry soldier in the Israel Defense Forces. In 2006, he meets with a friend from his army service period, who tells him of the nightmares connected to his experiences from the 1982 Lebanon War. Folman is surprised to find out that he does not remember a thing from the same period. Later that night he has a vision from the night of the Sabra and Shatila massacre, the reality of which he is unable to tell. In his memory, he and his soldier friends are bathing at night by the seaside in Beirut under the light of flares descending over the city. Folman rushes off to meet another friend from his army service, who advises him to discuss it with other people who were in Beirut at the same time in order to understand what happened there and to relive his own memory. The film follows Folman in his conversations with friends, a psychologist and the reporter Ron Ben-Yishai who was in Beirut at the same time.
The entire films is an illustration (literally) of the interviews Folman has with others in an effort to reconstruct and remember what happened to him in Beirut in 1982. The characters in the film are actual people. The interviews are the actual interviews. The stories are all real. While being a treatise on the effects of war and conflict and the history of the Middle East, it's also a documentary on Folman's process in recovering his own memory and dealing with the effects of psychological stress some 25 years on.

It's critics also point out a different use of the film. For all its honesty, the film barely shows any Palestinians or Lebanese despite the war taking place in Beirut. The IDF and Israelis are cleansed of all responsibility for the deaths of Lebanese or Palestinians, despite doing everything but pulling the trigger. Even the medium of the film, animation, prevents the events from being truly real, instead keeping a safe distance between reality and us. The film manages to show a war completely one-sided, one where the victims are the Israelis despite more than 10 times the number of Lebanese civilians dying than Israeli soldiers. It's as if Israeli society as a whole, still reeling from the trauma they helped transpire, is still working towards their own recovery and isn't quite ready to address the full truth.

Politics aside, the film is an intriguing look at an individual's and a society's journey towards psychological wellness, and how people cope with trauma. It's an interesting film because the story is only part of what we're seeing; through interviews and flashbacks and stories, we also see the impact on people of the trauma they experienced, how they cope with it and how one man comes to terms with it. When you apply this to the idea that a majority of people in Israel are conscripted into the military it also can extrapolate to society as a whole, and may help explain why people react to current threats the way they do. Maybe it doesn't, but it at least gives you something to think about.


26 February, 2009

Living in Other People's Trauma: Observations of an Outsider in Israel

reprinted with permission from the author (that would be me).

One of the things we forget when we’re learning is the learning process itself. When I embarked on my excursion to Israel, I knew that there was much for me to learn; I had little background knowledge about the country or its history or politics, I barely spoke the language and the culture itself was a mystery. Then there was my research project, looking at the effects of trauma on the deaf population, which would entail not only learning yet another language but also an additional culture and community.

When setting off into the unknown it’s always expected that new things will pop up and surprise you; elements of a situation or a people or a culture that you didn’t know existed suddenly present themselves and you have something new to learn. In studying trauma, not just within the deaf population but within the greater Israeli population, I learned something even more: I learned how other people learn.

The history of Israel and the Jewish people is rife with trauma: hundreds of years of persecution culminated in the Holocaust which claimed the lives of approximately 6 million Jews, the violence that came with the founding of the State of Israel, the multiple armed conflicts in the following years and the ensuing intifadas (Palestinian uprisings /lit. “shaking off”), as well as the ongoing threat from hostile countries such as Iran and Syria and the daily rocket-fire it receives from militants in the Gaza Strip. With the continual aggression shown against it diplomatically, militarily and ideologically, how is it that the population is not overwhelmed with trauma-related disorders?

One of the criteria for PTSD and ASD is experiencing an event which is or appears to be greatly threatening to one’s self or to others (American Psychiatric Association, 2000). So what happens when threatening events become more normalized? What happens if a culture incorporates trauma into it, into its holidays and religion, and into its national consciousness? Does it blunt the effects of these threats?

When I came to Israel, I knew next to nothing about Judaism and nothing about Israeli culture. I had of course heard all the warnings given to me by well-meaning and concerned friends and family members before my departure from the States. And while the major news networks seem to have a love affair of showing exploded buses or rocket attacks or Israeli military incursions, I knew there had to be more to the country than just that. However, I also knew that all those other things were also part of Israel, and should not be discounted.

My arrival was easy and relatively painless. I began learning: learning Hebrew and Israeli Sign Language, learning about Israel, learning which buses went downtown and when the grocery stores closed for Shabbat. I learned about the political situation in Israel and the history of the State (both of which changed depending on with whom I talked). I learned what the holidays were and why, I learned about the balance between secular law and Jewish holy law and how the two were intertwined.

But my curiosity extended beyond the current situation. The more I learned about the history of the Jewish people and their need for a Jewish state, the more curious I became about this culture of trauma and its manifestations. The need for me to do active research on the subject, though, was minimal. The incorporation of trauma and the Jewish people’s history of persecution is well-visible within Israeli and Jewish culture in a way that I have not experienced elsewhere.

One of the benefits and complaints I hear about being Jewish is the plethora of holidays that crowd the calendar. While some of these holidays I was familiar with due to their counterparts in Christianity (e.g. Simchat Torah and the Feast of Christ the King) and from a general knowledge of Judaism, others are entirely unique to the Jewish faith or to Israel as a country.

What was interesting to me was the connection to trauma so many of these holidays have. For instance, Tisha B’Av is a fasting holiday that not only commemorates the destruction of the First and Second Jewish Temples, but also other various tragedies that befell the Jewish people (Taanit 4:6). Purim is a celebratory holiday that involves dressing up in costumes to commemorate the almost slaughter of the Jewish people by Haman, an advisor to the then Persian King, but which was averted by Queen Esther (Esther 1-10). Even holidays like Sukkot and Passover, which don’t directly involve trauma, still have ties to the exile and persecution of the Jewish people and others (Leviticus 23:42-43; Deuteronomy 16:12; Exodus 11:1-12:36).

National holidays have similarly strong ties to this history of trauma. Memorial Day, as well as Holocaust Memorial Day, is celebrated with the closing of stores and the sounding of an air raid siren during which everyone comes to a stand-still; cars pull over, people stop in the middle of whatever they’re doing, everyone stands at attention for two minutes and remembers the people who have died. This is not the American-style holiday with parades and “50% off!!” sales; this is a day purely of solemn remembrance and memorial.

Other non-religious and non-historical factors play a central role in Jewish-Israeli society as well. Military service is required of all Jewish-Israelis beginning at age 18; three years for males and two years for females. For many men this involves service in a combat unit and, given the usage of military force in the West Bank and Gaza, active military duties. I have friends who did their military service in Hebron (a flash-point of settler/Palestinian violence) or who assisted with Israel’s withdraw from the Gaza, and their experiences are by no means rarities.

There are even high school programs that allow the students to volunteer with Magen David Adom (the Israeli Red Cross) and assist paramedics and other professionals. While these under-18s are barred from responding to mass casualty incidents, they still regularly respond to car accidents and various other types of trauma which high-schoolers in other countries may not be. There are also programs for high school students to be involved in the Israeli Defence Force (IDF) before starting their required service. While the point isn’t to purposefully expose these students to trauma, there is also less shying away from it.

And this isn’t the only exposure to violence Israelis are receiving. The First and Second Intifada’s involved suicide-bombings on public buses, in nightclubs, and in crowded public places. Continued rocket fire into Israeli towns such as Sderot and Ashkelon affects not only the population of those areas but also feature prominently in the daily news media. These, combined with threats of violence from militant groups like Hamas and Hezbollah as well as nuclear threats from Iran, create an underlying feeling of threat of which one is constantly aware.

All this is on top of the fall-out from Israel’s six armed conflicts, incidents like the killing of Israelis at the Munich Olympics in 1972, SCUD missile bombing during the Gulf War and the effects of intergenerational trauma from the Jews who came en mass to Israel during or following the Holocaust (Lev-Weisel, 2007; Kellerman, 2001). This Jewish trauma has become part of some people’s identity, an inescapable part of their past and present as Jews and as people of Israel.

So what are the effects of this trauma, both historical and on-going? In Israel the rate of PTSD is approximately 6% for the Jewish population (Hobfoll et al., 2008). However, the trauma of immigration to Israel has proven stressful for multiple groups (e.g. Ritsner, 1997; Ritsner, 1996) and presents itself differently than traditional PTSD symptoms (Grisaru, 2003; Daie, 1994; Schreiber, 1995). In a country that has seen over 3 million immigrants in the past 90 years (Central Bureau of Statistics, 2007a) this is a sizeable number of people who may have trauma-related disorders but are yet undiagnosed.

The Israeli-Arab population rate of trauma is much higher, about three-times the rate of the Jewish Israeli community (Hobfoll et al., 2008; Gelkopf, 2008). I don't discuss the Israeli-Arab community in this article not to minimize their experiences, but simply because of my own lack of knowledge about this community and their experiences of trauma. However this population is still highly relevant to any discussion of trauma in Israel, as they compose approximately 20% of the Israeli population (Central Bureau of Statistics, 2007b).

The overall response I get in regards to the volatility here is usually the same: a shrug of the shoulders and “אין מה לעשות" (ein mah lah-ah-soht/“nothing to be done”). I think it’s best summed up in the over-arching theme of Jewish holidays, as described to me by a friend: “they tried to kill us, we survived, let’s eat”. In other words: regardless of what happens, life goes on and we’ll get used to it. Whether it’s a faith in God that comforts them or simply the acceptance of the unpredictable nature of life here, it seems to be an effective strategy (Somer et al., 2005).

My learning about trauma in Israel, which I originally thought would be mostly academic, has turned out to be completely the opposite. By living here among Israelis and within the Jewish-Israeli culture, I’ve learned how people deal with trauma on a daily basis. These are obviously not the same traumas as experienced by people in places such as Baghdad or Darfur. But the daily, mini-traumas of Israeli life are constant: walking onto a public bus, passing a restaurant which had been bombed, hearing a sudden loud noise outside. These I’ve learned to deal with this in a very Israeli way, with “אין מה לעשות” and a quiet prayer.


References

American Psychiatric Association. (2000). Diagnostic and statistical manual of mental disorders, fourth edition, text revision. Arlington, VA: American Psychiatric Association.

Central Bureau of Statistics, (2007a). Immigrants, by period of immigration, country of birth and last country of residence. Retrieved from http://www.cbs.gov.il/shnaton58/download/st04_04.xls on 9 December 2008.

Central Bureau of Statistics, (2007b). Demographic situation in Israel. Retrieved from http://www.cbs.gov.il/reader/newhodaot/hodaa_template.html?hodaa=200801252 on 9 December 2008.

Daie, N., & Witztum, E. (1994). A case of posttraumatic stress disorder masked by pseudoseizures in a jewish iranian immigrant in israel. Journal of Nervous and Mental Disease, 182(4), 244-245.

Gelkopf, M., Solomon, Z., Berger, R., & Bleich, A. (2008). The mental health impact of terrorism in Israel: A repeat cross-sectional study of Arabs and Jews. Acta Psychiatrica Scandinavica, 117(5), 369-380.

Grisaru, N., Irwin, M., & Kaplan, Z. (2003). Acute psychotic episodes as a reaction to severe trauma in a population of Ethiopian immigrants to Israel. Stress and Health, 19(4), 241-247.

Hobfoll, S. E., Canetti-Nisim, D., Johnson, R. J., Palmieri, P. A., Varley, J. D., & Galea, S. (2008). The association of exposure, risk, and resiliency factors with PTSD among Jews and Arabs exposed to repeated acts of terrorism in Israel. Journal of Traumatic Stress, 21(1), 9-21.

Kellermann, N. P. F. (2001). Transmission of holocaust trauma -- an integrative view. Psychiatry, 64(3), 256-267.

Lev-Wiesel, R. (2007). Intergenerational transmission of trauma across three generations: A preliminary study. Qualitative Social Work, 6(1), 75-94.

Ritsner, M., Ponizovsky, A., Chemelevsky, M., Zetser, F., Durst, R., & Ginath, Y. (1996). Effects of immigration on the mentally ill -- does it produce psychological distress? Comprehensive Psychiatry, 37(1), 17-22.

Ritsner, M., Ponizovsky, A., & Ginath, Y. (1997). Changing patterns of distress during the adjustment of recent immigrants: A 1-year follow-up study. Acta Psychiatrica Scandinavica, 95(6), 494-499.

Schreiber, S. (1995). Migration, traumatic bereavement and transcultural aspects of psychological healing: Loss and grief of a refugee woman from Begameder County in Ethiopia. British Journal of Medical Psychology, 68(2), 135-142.

Somer, E., Ruvio, A., Soref, E. & Sever, I. (2005). Terrorism, distress and coping: High versus low impact regions and direct versus indirect civilian exposure. Anxiety, Stress & Coping, 18(3), 165-182.

Teichman, E., Zafrir, H. (2003). Images Held by Jewish and Arab Children in Israel of People Representing Their Own and the Other Group. Journal of Cross-Cultural Psychology, 34(6), 658-676.

13 January, 2009

The Sound of Israel

Metropolin - Sleeping Without Dreaming (lyrics)



Efrat Goosh - To See the Light (lyrics)



Monica Sex vs. The Cure - Grey Love (lyrics)



Ari Gorali And Reut Yehudai - Everything Like Honey (lyrics)



And just for a bit of fun...
The Emperor's New Groove - Perfect World (lyrics)

original English version
(you can also find it in Arabic and Danish and a whole bunch of languages)

02 January, 2009

A snippet of Israeli cinema

Aviva, My Love (2006)
Aviva, a hard-working hotel cook in the small northern Israeli town of Tiberias, is on the brink of finally fulfilling her lifelong dream. For years she kept her remarkable writing abilities under wraps, until her sister, Anita, introduces her to Oded, an accomplished novelist.
Trailer
IMDB


Walk On Water (2004)
Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tour guide he befriends Himmelman's grandson Axel, who is in Israel visiting his sister Pia.
Trailer
IMDB


Beaufort (2007)
The chronicles a group of soldiers positioned at the 12th century Crusader stronghold of Beaufort Castle: their daily routine, their feelings and their fears, and explores their moral dilemmas in the days preceding the withdrawal and end of the 18-year South Lebanon conflict.
Trailer
IMDB


Bonjour Monsieur Shlomi (2003)
16 year old Shlomi lives with his restless mother, his soldier brother and their ill grandfather. One day, the school's principal finds out Shlomi is actually a genius and tries to get him into a more suitable curriculum. However, Shlomi is more interested in taking care of his family and his new love interest, the beautiful girl next door.
Preview
IMDB


Late Summer Blues (1987)
Four Israeli teens spend a final summer of freedom before they are drafted into the Army during the 1970 Suez War. They discuss their futures, politics, and the occupation of the West Bank in the volatile region. The quartet goes from a festive high school graduation ceremony to anxiety when of their classmates is the first to be killed in conflict.

Preview
IMDB


Waltz With Bashir (2008)
One night at a bar, an old friend tells director Ari about a recurring nightmare in which he is chased by 26 vicious dogs. The two men conclude that there's a connection to their Israeli Army mission in the first Lebanon War of the early eighties. Ari is surprised that he can't remember a thing anymore about that period of his life. He needs to discover the truth about that time and about himself. As Ari delves deeper and deeper into the mystery, his memory begins to creep up in surreal images.
Trailer
IMDB



Other films...
Late Marriage (2001)
Broken Wings (2002)
Yossi & Jagger (2002)
Paradise Now (2005)
The Syrian Bride (2004)
Someone To Run With (2006)

21 December, 2008

Shhhhh!

Last week I had a most interesting experience. My friend Emily and I had long been wanting to go to Na laga'at (Hebrew for "please touch") and see a show there. This is a unique experience because the theatre contains three parts: one is a restaurant called Black Out in which all the food is served in the dark; another is a cafe called Capish where all the waiters are deaf; and the main attraction is a show in which almost all the actors are either deaf or deaf-blind called "Not By Bread Alone".

We decided to go to an evening at the theatre and some coffee afterwards. I must say, we were pleasantly surprised. The show consisted of an introduction of the actors, and then them talking about and enacting some of their dreams: walking without assistance, going to the movies, and getting married. The point was to show that deaf-blind people have the same hopes and dreams as hearing people.

The logistics of the show were a sight to behold: actors were lead around stage by black-clad assistants who were also voice and sign interpreters, the use of light and sounds were fantastic, and the entire show was captioned in Hebrew, Arabic and English with voice interpretation for the signing and sign interpretation for the speaking parts.


But the coolest part (I thought) was the end. At the start of the show, all the actors are introduced one-by-one as they are kneading bread. They then bake the bread in ovens on stage, and at the end (spoiler: it ends with a wedding) the audience is invited to come up on stage, eat the bread and talk with the actors, all of whom have interpreters with them. And come they did! Many people came up to talk with them, either using the interpreters, signing for themselves or using Braille sheets to communicate. There was even one deaf-blind guy who used an alphabet glove to communicate!

We ended the evening in Capish, the cafe staffed by deaf people. Turns out I know the manager. Small (deaf) world.

Here's a news clip about the theatre (CCed):




Later in the week we visited the Holon Children's Museum, which has a permanent exhibit entitled "Invitation to Silence". I was hoping for something more along the lines of what it's like to be deaf, to give people an idea of what that experience is like (it's sister exhibit, "Dialogue in the Dark", does just that). Instead, "Invitation to Silence" takes away all vocal and written communication and teaches the participants how to communicate using gestures, facial expressions, hand shapes; it's a great primer for anyone that is learning a signed language or is traveling to a country where they don't know the spoken language and may need other means of communication. It was definitely an eye-opening (pun!) experience for the people that went through the exhibit with us (Emily and I already know ASL so...).

So that was it: our week of deafness. And I'm still at the Institute for the Advancement of Deaf Persons in Israel once a week, and occasionally sit in on the ASL class they're teaching. I'll be teaching my own ASL class this spring here in Jerusalem, which should be fun. It's actually just a one-on-one, but who's counting?